John Powers

John Powers is the pop culture and critic-at-large on NPR's Fresh Air with Terry Gross. He previously served for six years as the film critic.

Powers covers film and politics for Vogue and Vogue.com. His work has appeared in numerous publications, including Harper's BAZAAR, The Nation, Gourmet, The Washington Post, The New York Times and L.A. Weekly, where he spent twelve years as a critic and columnist.

A former professor at Georgetown University, Powers is the author of Sore Winners, a study of American culture during President George W. Bush's administration. His latest book, WKW: The Cinema of Wong Kar Wai (co-written with Wong Kar Wai), is an April 2016 release by Rizzoli.

He lives in Pasadena, California, with his wife, Sandi Tan.

We live in a world filled with crimes, but most of them don't have much to tell us. They're cases of mere stupidity, cruelty or greed. But every now and then one comes along that invites larger thoughts about the culture.

If reality TV has a redeeming value, it's that it teaches you to be suspicious of claims that you're seeing real people doing real things. This is especially so in an age when memoirs bristle with made-up events, and everyone from the Kardashians to the Obamas orchestrate their media coverage. These days, it's hard to tell whether an article, book or TV show is showing you the real person or only a performance.

Awhile back, I went to the Los Angeles County Museum of Art to see its show on filmmaker Stanley Kubrick. It was jammed with visitors poring over his letters, eyeing the dresses worn by the spooky twins in The Shining, and posing for photos in front of the sexy-futuristic decor of the Korova Milk Bar from A Clockwork Orange.

In Chinua Achebe's novel The Anthills of the Savannah, one of the characters says, "Poets don't give prescriptions. They give headaches."

The same is true of novelists, and none more so than Philip Roth. If any writer has ever enjoyed rattling people's skulls, it's this son of Newark, N.J., who's currently enjoying something of a victory lap in the media on the occasion of his 80th birthday. The celebration reaches its peak with a new documentary — Philip Roth Unmasked — that will screen on PBS next week as part of the American Masters series.

These days politics and advertising go hand in hand. Mayors stage photo ops. The Bush administration compared the Iraq war to rolling out a new product. And just last year, Barack Obama and Mitt Romney spent nearly a billion dollars running for president. If you're an American, such wall-to-wall marketing has come to seem a natural phenomenon, like Hurricane Sandy or LeBron James.

The Irish novelist John McGahern once remarked that his country stayed a 19th-century society for so long that it nearly missed the 20th century. But in the mid-1990s, Ireland's economy took off, turning the country from a poor backwater into a so-called Celtic Tiger with fancy restaurants, chrome-clad shops and soaring real estate values. The country was transformed — until things came tumbling down during the 2008 financial crisis.

Pages