Peoria Public Radio Staff
Interim Executive Director / Chief Engineer
Radio Information Service Director
Weekdays at 11:00 a.m. and 8:00 p.m.
Opening the window on contemporary arts and issues with guests from worlds as diverse as literature and economics.
Thursday, July 2, 2015 3:00pmAdam Liptak of The New York Times discusses the Supreme Court's most recent term and says the rulings reveal deep philosophical differences regarding the role of judges and the Constitution. Also David Edelstein reviews 'Magic Mike XXL' and 'Terminator Genesys.'
Wednesday, July 1, 2015 3:00pmRick Famuyiwa's new film 'Dope' is about a black high-school student who's into 90s hip hop and Japanese comic books. He calls the film a celebration of kids whose interests don't fit into pop-culture norms. The director talks about geekdom, the n-word, and confronting racism with comedy. Also David Bianculli says Jon Stewart, Larry Wilmore, John Oliver and Bill Maher are keeping news outlets honest.
Tuesday, June 30, 2015 3:00pmThe main character in Vendela Vida's new novel is alone in Morocco when her bag with her passport and credit cards is stolen. Vida says 'The Diver's Clothes Lie Empty' was inspired by her own travels. Also, Jerry Douglas is considered by many to be the best dobro player in the world. He brings his instrument to the studio and talks about his new album, 'The Earls of Leceister,' a tribute to Lester Flatt and Earl Scruggs.
Monday, June 29, 2015 3:00pmAs a biracial child growing up in Philadelphia, writer Mat Johnson identified as black – but looked white. His new novel 'Loving Day' is about a man who returns to his hometown after inheriting a run-down mansion. Also, jazz critic Kevin Whitehead reviews the new album from trumpeter Terell Stafford.
Friday, June 26, 2015 7:00pmComedian Marc Maron debriefs after interviewing President Obama for his podcast, 'WTF.' Maureen Corrigan reviews 'Patience And Fortitude' about the fight to save NYC's storied public library. Art scholar Noah Charney discusses his new book, 'The Art of Forgery,' where he traces a tradition of fakes and forgeries that dates back to the Renaissance.